Fall

We’re halfway though October here in Vermont, moving from brilliant foliage to stick season. In the meantime, I’ve been in my studio working on a few new pieces. Here’s Tea Time, 16 x 16 in., gouache, Flashe, and paper collage on board, 2021. The first pic is where the piece started (showing the collage underpainting) and the second pic is where the piece ended up, with layers of paint, letting some of the collage shine through. I’m looking forward to passing the new pieces to Stella Quarta Decima (SQD) gallery in Manchester, Vt.

View fullsize

View fullsize

Here’s what’s also happening…a party taking place right in front of our house:

2020: Are We Done Yet?

I won’t be the first nor the last to describe this year — 2020 — as one of the crappiest on record, at least in my lifetime so far. The drawing above pretty much sums up my feelings. Between the Corona virus, the reaction to racial reckoning in this country, the mad man in the White House (soon to be out the door, thankfully), the almost-coup, and overall environmental, social, and economic despair, I really don’t know what has been left out of this basket of terribleness.

As an artist, I’m wondering what my role will —and should be— in 2021. My work is not overtly political (other than the occasional drawing) but maybe that will change. Or, maybe I let my drawings do the political work (organizing, motivating, sharing information) and my paintings and collages can do what they do in capturing surreal, contemporary moments. I’m not the first nor the last to ask this question - what is the role of art in a (struggling and raw) democracy? I’m hoping 2021 will hold some answers. In the meantime, I’m taking particular inspiration from artists Marcel Dzama and Deborah Roberts whose Instagram posts are daily reminders of the power of art AND the power of the people.