People are often interested in the process of how I make collage paintings. It comes down to layering one detail on top of another, and another, and so on. I am at once a craftswoman, an artist, and a laborer. I mention that last one because it’s laborious, even tedious at times, but I can’t help but enjoy that monotony. I like repetition as much as I like spontaneity. After all of these steps, a (hopefully) unified piece appears. I’m not saying that this final art work isn’t important; I just don’t see it as the goal. What I produce in the end is a culmination, a travelogue of the visual journey I’ve taken. Layers and detail. I seek out the stories that happen in between.
These are process shots of Nearly High Noon, gouache, Flashe, and paper collage on board. 10 x 10 in. 2019.